Classically British came about as a result of my training at Arthur Mitchell's Dance Theatre of Harlem, my work with Michael Moore Fracture Dance Company and the Carol Straker Dance Company as well as from the inquisitive little girls at Portobello Dance school asking ''where are the black ballerinas Mr Mark?” It was set up to inspire and keep the light burning for future classically trained ethnic dancers that were mesmerised by the language of classical ballet. My passion is the key to Classically British now being in its 10th year, I have been determined to provide a stage for these talented but often overlooked dancers of ethnicity.

There is the education but not the opportunity, especially for the girls to succeed as a ballet dancer full time, as a member of a company. Britain does have Ballet Black which seems to encourage role models from the USA, whom themselves have had a long struggle to be recognised, but still there is an absence of British representation.

Fundraising is the most difficult challenge especially in days of austerity. Additionally, getting others to understand and fully appreciate how difficult it can be for ethnic minority dancers entering the world of classical ballet, is constantly challenging too.

In addition to performances of original choreography, this year’s event features a photographic exhibition, a documentary on the history of Classically British, plus a film short. The night will end with an artists Q & A session.